Music and film from the Museum Library
As a part of her Master’s in Wildlife Filmmaking, Alicia Hayden recently visited OUMNH to produce the short film “A Song for Maria”. Featuring the music of Will Pearce, “A Song for Maria” takes its inspiration from the eighteenth-century naturalist Maria Sibylla Merian.
In 1699, aged 52, Maria Sibylla Merian made a trip to Suriname with her daughter to document the metamorphosis of insects, where she spent 2 years illustrating unique species and behaviours. Many of these illustrations are featured in Merian’s incredible publication Metamorphosis Insectorum Surinamensium (1705), or Insects of Suriname.
Over three hundred years later, Will and Alicia visited the OUMNH library to view our copies of Insects of Suriname. Here, the pair discuss film-making, songwriting and the impact of Maria’s legacy.
Alicia: Hi Will! You’re a physics student and amateur entomologist at Oxford University. Why were you so keen to visit OUMNH’s copies of Insects of Suriname and what did you think of Maria’s gorgeous illustrations?
Will: I first found out about Maria from a postcard, which was part of a series on influential female scientists. When I got to see OUMNH’s copies of Maria’s work, they did not disappoint. Maria reared all of the insects that she illustrated, allowing her to observe their life cycles in incredible detail.
What about you, Alicia? Can you tell me a little bit about why you decided to make a film inspired by Insects of Suriname for your Master’s film project?
Alicia: In addition to studying film-making, I also do a lot of art and poetry, and I was really keen to try and incorporate my love for wildlife-art and creativity into my Master’s film project. After chatting with you about your music, I thought it would be so exciting to merge our mutual love for art and insects into the film!
Like you, I first found out about Maria through a set of women in science postcards, and since then she’s been a big inspiration in my own work, so it was also really special to see her art in person!
I know that you have recently been working on a series of songs about beetles, Will. Why do you choose to sing about nature, and how did Insects of Suriname influence your latest song, “Watercolour Caterpillar”?
Will: During lockdown, the things which kept me going were music and the pond that I built with my dad. For the first time, I started paying attention to nature, and it quickly became as big a part of my life as music. After that it just made sense to combine the two interests! I am constantly looking for inspiration, and almost always find it in either the natural world or others’ art. The life and work of Maria Sibylla Merian seemed like the perfect topic to make a song about.
What were your first impressions when you saw Maria’s books, Alicia? You work in watercolour yourself — did any piece in particular catch your eye?
Alicia: I already knew about Maria’s work, and the intricacies of her drawings, before we saw them. But her illustrations are just phenomenal! She was an exceptional scientific illustrator. The drawing which stays with me the most is of the tarantula eating the hummingbird. The detail of the hairs and feathers is just exquisite, and I’m really pleased you can see some of this in the film.
When we were filming “A Song for Maria” together at the Museum, you decided that you not only wanted to write about the invertebrates Maria drew but also her life. How did this impact the final song?
Will: Well, originally the song was going to be about beetles (I’m a bit obsessed with them), but Maria documented a range of incredible species during her time in Suriname. So it seemed only right to diversify. The wafer-thin Surinamese Toad and handsome Hawk-moths were hard to deny! Her life was a real mixed bag, but her determination and her love for the natural world shine through.
Alicia: I had so much fun filming with you in the Museum’s Library, and I could see how much you loved looking at Maria’s work! I was wondering if you had a favourite illustration?
Will: There was one page in particular which I kept flipping back to — in fact you’ve already mentioned it! It shows leaf-cutter ants bridging between twigs using their own bodies, as well as a tarantula tackling a hummingbird! Many of Maria’s illustrations were called into question when the book was published, as they described behaviours not seen before by Europeans and they seemed all too fantastical to be real!
Hopefully, we were able to capture some of the magic of the illustrations in our film. What do you want people who watch the film to take away about Maria?
Alicia: Like you, I really want more people to know about Maria Sibylla Merian and the fantastic contributions she made to entomology. I hope that by watching “A Song for Maria”, people will realise the importance of Maria and her work, and she starts getting as much recognition as her male counterparts of the same era.
Will’s song about Maria “Watercolour Caterpillar” is available to listen to on YouTube. You can find out more via Will’s website and Will’s instagram.