We are a finalist!

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This is very exciting. We’ve been waiting to tell everybody for some weeks that we have been selected as one of six finalists in the Art Fund Prize for Museum of the Year 2015. It’s the top prize for a museum or gallery in the UK and we are delighted that the Museum’s work over 2014 has been recognised to this extent.

The other finalists are Dunham Massey, IWM London, The MAC, HM Tower of London, and The Whitworth. The winner will be announced on 1 July at a ceremony at Tate Modern and will receive £100,000. To drum up the excitement we made a short film with Art Fund as part of the award campaign:

As regular readers of this blog and our previous Darked not dormant blog will know, the Museum undertook a major roof restoration and lighting project during 2014. And while we were closed we spent some time thinking about how we communicate with our visitors and the world beyond, trying out some fun forms of public engagement such as the Goes to Town project (shortlisted for a Museums + Heritage Award).

Photographer Martin Parr's lead image from a shoot at the Museum
Photographer Martin Parr’s lead image from a shoot at the Museum

At the same time our whale skeletons underwent a major conservation and redisplay, documented at Once in a Whale. In other words, 2013 and 2014 were big years for the Museum and it’s wonderful to be celebrating them as Finalists in the Art Fund Prize competition. As our director Paul Smith says:

Our public programme encourages visitors of all ages to understand and engage with the natural environment, and sits alongside our world-class research and teaching.

The museum’s small team and our volunteers are delighted that this transformation has led to being named as a finalist in the prestigious Art Fund Prize for Museum of the Year 2015.

Keep an eye on the blog next week and you’ll see more about Martin Parr‘s photography of the Museum, as well as a photography competition that you can enter yourself, judged by Martin and the public. In the meantime, here’s a sneak preview of Martin Parr at work here, capturing the image you can see above.

Martin Parr captures the lead image in the Art Fund Prize for Museum of the Year 2015 campaign
Martin Parr captures the lead image in the Art Fund Prize for Museum of the Year 2015 campaign

Scott Billings – Public engagement officer

‘Welcome to My Museum’

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I’ve been to see the dinosaurs at the Pitt Rivers Museum!

It’s a common exclamation, but alas, there are no dinos in the Pitt Rivers, nor totem poles in the Museum of Natural History. Rather, there are two museums with a shared front door, and a fair amount of confusion.

To address this perpetual museum muddle we present a short play, Welcome to My Museum, where the Victorian founders of each institution come to life to discuss ‘two marvellous museums under one roof’.

A small grant from the Oxford University Museums Partnership allowed a collaboration between us, the Pitt Rivers Museum, Pegasus Theatre, and Film Oxford to produce two versions of the play – one for public performance and another for a film adaptation, which is the one you can watch below.

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Ciaran Murtagh (left) as General Augustus Henry Lane-Fox Pitt Rivers and Andrew Jones as Henry Acland

Working with Pegasus Theatre, Rachel Barnett scripted an imagined conversation between the founders of the two museums, Henry Acland and General Augustus Henry Lane-Fox Pitt Rivers. Pegasus helped to source actors and costumes and even a prop-maker for Pitt Rivers’s fine pufferfish helmet.

Film Oxford spent several late nights with a very patient rent-a-crowd, immortalising their adaptation of the play on film. The public performance was well attended, with over 250 visitors dropping in to watch General Pitt Rivers rudely interrupt Henry Acland’s speech welcoming visitors to his museum. Pitt Rivers rightly points out that there must be two museums as the building has two gift shops and even two differently-branded pencil sharpeners for sale in them – ‘scientifically incontrovertible’ proof!

So if you think that you have ever been to the Pitt Rivers Museum to see the dinosaurs, or the Museum of Natural History to look at the totem-pole, watch the film below and you will discover that our building is actually ‘two sublime museums under one roof’.

Chris Jarvis – Education officer

‘A thoroughly unhousewifely skill’

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For International Women’s Day, the Museum of Natural History celebrates the life and career of Dorothy Hodgkin, one of its most eminent researchers. Hodgkin was awarded the Nobel Prize for Chemistry in 1964, and is still the only UK woman to have been awarded one of the science Nobels.

When the Museum of Natural History was designed in the 1850s, the building was intended not just to house a museum but also the burgeoning science departments of the University. The lettering above the doors facing the court continues to record these early affiliations: ‘Department of Medicine’, ‘Professor of Experimental Philosophy’, and so on.

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Dorothy Mary Hodgkin (1910–1994) Image: Nobel Prize

As individual departments grew they moved into their own buildings across the science campus. One of the last research groups left in the Museum was the Department of Mineralogy & Crystallography, which, from the 1930s onwards, was the research home of the outstanding X-ray crystallographer Dorothy Hodgkin (1910-1994), winner of the Nobel Prize for Chemistry in 1964.

The Daily Mail famously celebrated her success with the headline ‘Oxford housewife wins Nobel’, but The Observer was no more enlightened, commenting that Hodgkin was ‘an affable looking housewife’ who had been awarded the Nobel Prize for ‘a thoroughly unhousewifely skill’.  That socially disruptive ability was an unparalleled proficiency with X-ray analysis, particularly in the elucidation of the structure of biological molecules.

Hodgkin undertook her first degree at Oxford from 1928 to 1932, initially combining chemistry and archaeology but later focusing on the emerging technique of X-ray crystallography. Her undergraduate research project was carried out using this technique in a Museum laboratory within what is now the Huxley Room, the scene of the 1860 Great Debate on evolution between Bishop Wilberforce and T. H. Huxley. She then journeyed across to Cambridge for her PhD before returning to Oxford in 1934 and resuming her association with the Museum.

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Model of the Structure of Penicillin, by Dorothy Hodgkin, Oxford, c.1945, in the Museum of the History of Science

Back in Oxford, Hodgkin started fundraising for X-ray apparatus to explore the molecular structure of biologically interesting molecules. One of the first to attract her attention was insulin, the structure of which took over 30 years to resolve – a project timescale unlikely to appeal to modern research funders. Other molecules proved more tractable, including the newly discovered penicillin, which Hodgkin began to work on during the Second World War, and vitamin B12.  It was for the determination of these structures that she was awarded the Nobel Prize.

Dorothy Hodgkin’s new X-ray laboratory was set up in a semi-basement room in the north-west corner of the Museum.  The room is now a vertebrate store but was once also the research home of Prince Fumihito of Japan, when he was based in the Museum for his ichthyological research (and It is still the only room in the Museum with bulletproof windows).

Initially, Hodgkin’s only office space consisted of a table in this room and a small mezzanine gallery above, which housed her microscopes for specimen preparation. Once prepared, she then had to descend a steep, rail-less ladder holding the delicate sample to the X-ray equipment below. Later, Hodgkin had a desk in the ‘calculating room’ (now housing the public engagement team) where three researchers and all of their students sat and undertook by hand the complex mathematics necessary after each analysis to determine the crystal structures of organic molecules.

Paul Smith – Director

If you would like to learn more about Dorothy Hodgkin and her work, then read Georgina Ferry’s excellent biography ‘Dorothy Hodgkin: A Life’ which has just been re-issued as an e-book and new, print-on-demand paperback by Bloomsbury Reader.

 This year’s Dorothy Hodgkin Memorial Lecture will be held in the Museum at 5 pm on Thursday 12 March, and is open to all. The lecture will be given by Dr Petra Fromme (Arizona State University) who is an international authority on the structure of membrane proteins.

Air bubble gems

Amethyst 3Beautiful gemstones are always popular with the public when they’re brought out for Spotlight Specimens. Monica Price talks about some she’s been showing off recently at our daily drop-in sessions.

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Blog brandingNow here’s a mineral that most people recognise straight away when I bring it out for Spotlight specimens. It is amethyst, and it is the most popular of all purple gem minerals. By a happy coincidence it is very common too, so jewellery made with amethyst need not be very expensive.

But that wasn’t always the case. In the past, fine, large, transparent crystals of amethyst could only be found in Germany, Russia and a few other places in the world. In Europe, the colour purple is traditionally associated with royalty and wealth, and so rare amethyst gems would feature in crowns and jewellery worn by heads of state and religious leaders.

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Amethyst is actually a variety of one of the Earth’s most common minerals, quartz.  Quartz is composed of silicon dioxide and helps form many different kinds of rock…. it even makes up most beach sands! Amethyst is the kind of quartz that contains a little bit of iron to turn it purple.

Amethyst 2So how did amethyst suddenly become so common? During the 18th century, huge flows of volcanic lava were found by explorers in Brazil and Uruguay. Some had air bubbles which were lined with superb purple crystals of amethyst. Soon, these crystal-filled cavities were being sent to Europe, and today, they are sold all over the world.  The biggest bubbles were a metre or more in size – huge! Nowadays, nearly all the amethyst you see for sale comes from those 135 million year-old South American lava flows.

My spotlight specimens include an amethyst gemstone and some lovely examples of those gas bubble cavities lined with crystals. One rather curious thing is that the crystals are rarely purple all the way through. The colour typically concentrates towards the tips of the six-sided crystals.  If you come when I next show my ‘gas bubble gems’, you will see exactly what I mean!

Monica Price, Head of Earth Collections

Little and large

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Amo Spooner from the Museum’s Life Collections has been out in the Museum sharing some of her favourite objects. Here’s the latest in our Spotlight Specimens series…

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Big impressive beetles or small shiny ones? That is the question. For me it’s all about the small ones, but here I am getting people’s (and the T. rex’s) attention with the big ones. It’s my tactic for engaging their interest before I try to convince them that the small ones are so much cooler!

Monday – Thursday at 2.30pm a member of the Museum’s collections staff can be found out in the Museum talking about something interesting. For my latest session of Spotlight Specimens I chose to show off drawers of my favourite beetles.

P1020715The big ones are from a family of beetles called Cerambycidae or Longhorn Beetles. This family is found all over the world and varies greatly in size and colour. These ones are particularly interesting to me because of the historic collection they are from. The vast Baden-Sommer collection, containing many different beetle families, came to the museum via a dealer in 1910 and unusually it is still in its original layout. The labels you can see in the drawer were written by the two entomologists that collected the specimens, J. Baden and M. Sommer.

The one you see in my hand (above) is in the subfamily Lamiinae – also charmingly known as Flat Faced Longhorns.

Part of my job is to re-curate and move historic specimens into pest-proof housing –  I am currently writing a blog post explaining this, so watch this space! In a nutshell, the Baden-Sommer Longhorns are a good example of drawers in need of some TLC. This leads me nicely on to my second choice of drawer, the Histeridae.

P1020717These are my first love when it comes to beetles. The Histeridae, or Clown Beetles, vary a lot in size; the one in my hand (below) is about as big as they get, but they can be as small as 1 mm in length.

P1020709I have re-curated all of the Museum’s historic Histeridae specimens and mounted up many modern ones, like you can see above. This modern system of trays and pest proof drawers ensures the longevity of specimens, as well as making them easier to access.

So what makes the little ones so special? During the afternoon I met visitors from home and abroad, young and old. I convinced them to to look a little closer, admiring their shiny black armour and fascinating adaptations. I think they finally agreed that big isn’t always best.

Amo Spooner, Collections assistant (Life)